11/4/2023 0 Comments Disgraced guthrie![]() ![]() “She had this incredible program, with these incredible writers like Nilo Cruz, writing these worlds I had never seen on stage before.”Īlthough Cohen never studied with Vogel, he brought her to the Playwrights’ Center for workshops. Be almost a painter about it.’ ”Īfter falling into Vogel’s orbit at Brown, Finn shifted from directing classics to directing new work. I think it’s so smart that she says, ‘Be intentional about that. “So how you tell your story is really important. “They are read first, before they are performed,” said Jeremy Cohen, artistic director at Playwrights’ Center. ![]() One unique aspect of Vogel’s teaching is her interest in the way a play looks on the page, right down to its layout and typeface. But she’ll look at you with this piercing gaze and ask the most perceptive question that you had no idea needed to be asked.” She won’t tell you where your play needs to go. “She won’t tell you how to edit your play. “She looks into your soul and she says, ‘These are the next 10 books you need to read, here are the next four plays you need to read, now go write 10 more pages,’ ” Ruhl told Pennsylvania’s Reading Eagle newspaper. Sarah Ruhl, whose work has been produced locally by Jungle Theater (“The Oldest Boy”) and the Guthrie (“Stage Kiss”), likens Vogel’s teaching to telepathy. It’s really about, ‘I’m seeing this in your writing and I’m really excited about it.’ ” “I think she helps people see their work in ways they wouldn’t have otherwise,” said stage director and Playwrights’ Center Associate Artistic Director Hayley Finn, who has watched Vogel’s work in action at the Minneapolis center and also studied at Brown when Vogel taught there. Like many plays by Vogel and her former students, “Marjorie Prime” is a highly theatrical piece with a strong point of view. Next up are Vogel protégés Steven Levenson, who co-wrote “Dear Evan Hansen” ( opening May 28 at the Orpheum Theatre), and “Sweat” creator Lynn Nottage, whose “Floyd’s” has its world premiere this summer at the Guthrie. Paul, Jordan Harrison’s “Marjorie Prime” is a 2015 Pulitzer finalist about a woman (played by Candace Barrett Birk) who is grappling with the early stages of Alzheimer’s. Opening this week at Park Square Theatre in St. ![]() And she isn’t the only influential teacher/playwright the late María Irene Fornés and Mac Wellman are two other noteworthies.īut the new work coming from Vogel’s former students is especially varied and staggering. Vogel is focusing on her own writing these days, though she still teaches the occasional master class. They swallowed up Obie Awards and MacArthur “Genius” Grants like they were jelly beans. For decades, at both Brown and Yale universities, Vogel was a charismatic teacher whose students and mentees scooped up Pulitzers and Tonys. Vogel has nabbed most of the awards a playwright can win, including a 1998 Pulitzer Prize for “How I Learned to Drive.” But her influence in the world of American theater extends far beyond her own plays, including 1990’s “The Baltimore Waltz” and 2015’s “Indecent” ( produced last year by the Guthrie Theater). If you’ve seen a new play in the past couple of decades, there’s an excellent chance Paula Vogel had something to do with it.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |